Though not a fan of vampires, werewolves or zombies over the weekend I saw “Song of the Living Dead” at the Promethean Theatre in the Black Box Theatre at Nova Southeastern University. This “Musical about love” “play about zombies” actually surprised and entertained me. We were warned ahead of time about two things: it’s raunchy and there will be blood. So with not much more than the title of the play, a little warning and clothes that could get bloody we set out with a group of friends to see the show.
The play opens with George and Judith on a beautiful day as they are getting engaged. Unbeknownst to them there has been a viral outbreak that’s reanimating corpses and of course all they want is brains! …except for the dyslexic kid zombie who wants “brians”. Intertwined in this mix is Harry Hardman, the over-the-top executive who is obsessed with the newly-engaged Judith. Harry is definitely a stand-out in the play providing such gems as the song “I’m F*ing Awesome” while wearing a double breasted suit with comically large shoulder pads (think of a business suit designed by the Romulans). As the zombie virus spreads Judith, George and a now commando version of Hardman end up trapped in a Party City with a small collective of other refugees.
A parallel storyline to the triangle of George, Judith and Harry is the Reverend Seabrook, a fire and brimstone preacher who leads his choir in “The Lord God Hates Them All”. Seabrook fears and holds in contempt anyone who is different than him and his faith all whilst encompassing the parable of the man in the flood. This leads to some very funny scenes involving him and the gay couple consisting of an Orthodox Jew and a Muslim – a hilarious trifecta of Rev. Seabrook’s hatred.
The play delivers on the promise of blood, there’s a “splash zone” in the first row, but the blood hit all the way back to the fifth. There is indisputably raunchiness, a zombie gives birth to a zombie fetus and there’s a scene about “Going Gay for Jesus”. The play is worth seeing and I hear rumors that the play might be extended through September 10th.
The final South Florida performance of Cirque Eloize iD was a visual feast. The technical direction and set design of the show are flawless. As for the story, I’m not sure I followed it. In fact, I’m not sure there is one. The show begins with a love scene that involves some very nice floor based gymnastics and lifts along with an act on a Chinese Pole and some break dance fighting. After that the plot is not really present and seems to be a jumbled mess of incongruent story lines. The only way that I picked up on this being like West Side Story is that it says so in the promo: West Side Story Meets Hip Hop. I definitely got the hip hop vibe. Although it added to the story, they used break dancing for filler every chance they got, sometimes needlessly. I personally think that their “fights” would be much more dynamic if they incorporated more capoeira techniques instead of trying to make break dancing look like fighting.
Story aside it was a beautiful show. The acts included traditional Cirque performances – aerial lyra, strength acts mixed with choreography, balancing acts, juggling, a contortionist, Cyr wheel and aerial silks. Newer performances were incorporated like jump rope, rollerblading, powerskips and BMX stunts (including audience participation). The one act that really seemed to impress the audience was the trampo-wall act, which involved the entire troupe. This act worked seamlessly with the stage decor, which incorporated trap doors, moving platforms, and digital imagery across it’s various surfaces as each performer did tricks and stunts up the many surfaces of the wall. Throughout the show I could pick up that the performers were tired – and rightfully so, they’ve been performing a rigorous schedule over the last month plus here in South Florida.
Coming from more of a backstage and technical background, the set design is what really impressed me. At any given time nearly every face of the stage design had digital imagery on it. This was accomplished through 9 projectors that must have overlapped with seamless edge-blending or overlapping projection and some major keystoning. The effect allowed for scenes to change while keeping the projection from being fully eclipsed by a performer’s body or other set piece. This is quite an accomplishment as the performers were up against the projection surface for much of the show.
Miami was the last leg of the US tour schedule, but if you have a chance to Cirque Eloise iD, I would take it. The visual experience of the technology behind the show along with the cirque acts is worth it. They even encourage audience participation through live lobby and house video along with constantly updated twitter and text feeds projected on stage.
This weekend we had the pleasure of seeing “Naked Women Fully Clothed” presented by The Women’s Theatre Project. The play is “A titillating, provocative and humorous collection of one act and short plays that reveal and lay bare an array of secrets and revelations.” …In plain English, it was just funny!
The format was much like Saturday Night Live, providing monologues and group skits. The cast of six women transformed a modest stage into an array of environments through basic props and some imagination. Some of my favorite sketches were, “How to Be an Actress,” “I am Pastrami,” and “Warning! Women’s Body Parts Move” – where a “Nutty Professor”-type character explains that her body parts have been disappearing, only to discover that her thighs are now on Cindy Crawford. The play was so funny that my face hurt from laughing by the time intermission came around.
“Naked Women Fully Clothed” was the final performance of the 2009 Season, but fear not, the 2010 Season kicks off with “The Year Magical Thinking” from February 18 – March 14, followed by “Going To See The Elephant” April 22 – May 11, and Wicked Sisters August 5 – 29.
For more information about upcoming events, or how to sponsor the Women’s Theatre Project check out their website, or call them at: 866-811-4111.